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"OUT OF TIME"

Cinema Views by Kevin J. Walker Film Critic

DENZEL, LATHAN, MENDES ARE AGAINST THE CLOCK

IN CARL FRANKLIN'S CRIME CAPER

by Kevin J. Walker, Film Critic

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The versatile Denzel Washington stars in a thoughtful and deliberate caper film with romance by "One False Move" director Carl Franklin. And since Denzel is Denzel, he has TWO leading ladies, Sanaa Lathan and Eva Mendes.

So are you in or out? Of the audience I mean for this very entertaining film with real meat on its bones, following the evolved tradition of more mature film fare in the fall months after the big bangs of the summer has passed onto video land..

"Out Of Time" is a very entertaining crime caper movie and is a reunion of sorts. Not only does it mark the return of Eva Mendes and Denzel Washington who were POSSLQs in "Training Day," but Carl Franklin returns to the caper genre which has been good to him and to us.

Franklin's "One False Move" with Cynda Williams of "Caught Up", "Frailty" director and actor Bill Paxton, and "Waiting To Exhale's" Michael Beach got much love from critics who were enamored of his double crossing crime caper film, with heaping helpings of romantic tangles thrown in. His 1940s "Devil In A Blue Dress" starred Denzel as LA private eye Easy Rawlins from the Mosely book series.

Placed in a small seaside town in Florida, "Out Of Time" is filled with knuckle-tense scenes as Denzel's police chief Matt Whitlock races to find out who-all has double crossed and outfoxed him after he gets played big-time for several hundred thousand dollars of seized drug money his four man department was holding.

As his character of private eye Easy Rawlins said in his crime caper film "Devil In A Blue Dress," quoting his crime patron Tom Sizemore who hired him to find the elusive Jennifer Beals," its not what you're mixed up in, its how high up you're mixed" as he has to try and clear his name before his time runs out.

"Palmetto" with Woody Harrelson and Elizebeth Shue visited much the same territory in subject matter and geography. Harrelson played a crusading reporter who gets caught up in some triple crossing action in the Florida panhandle.

"Out Of Time" is a spare film, and not overly filled with car cases and gunplay. Its very much in the style of the old caper films, where there's a mystery and false identities to unravel. "Malice" with Alec Baldwin, Nicole Kidman and Bill Pullman comes very much to mind, for reasons that will be clear when you see the film. If you have no intention of seeing the movie, or are one of those abysmal creatures and reprobates who wait until a film comes out on video or DVD and see it squeezed down to 30 inches you gets no love around here, pahd-nah!

The movie has no explosions, drawn-out gun battles, car chases, special effects, nor extensive gore. It's much in character with the fall releases that are more contemplative and adult-oriented, were time is taken for character development because these are films not intended for the short music video attention span of kids. Tip: get your popcorn, soft drinks, smoke breaks and such done early, because if you miss a little you'll miss a lot of "Out Of Time."

Matt Whitlock is the drinking on the job chief of a four person police force where the usual calls are to get the occasional cat out of the tree, or an alligator out of the backyard. The action around town gets hot when bodies start dropping, arson makes houses go up, a stash of cash goes missing, and all signs are pointing to the police chief.

"They set me up" he realizes, a bit too late. Oh, do ya think, suckah?

"Out of Time" actually is more of a romantic crime mystery, since the situations of the characters is so much a part of the film. Sanaa Lathan is Chief Whitlock's married girlfriend, while Eva Mendes is Matt's wife, who is divorcing him. But there's some unfinished business between the two, and Denzel clearly isn't ready to be kicked to the curb, which Anna Marie picks up on.

The main part of the romantic triangle, actually a tangled weave of a square, is Lathan. The sweet young thing from "Love and Basketball" and "Brown Sugar" is all growed up now and has a major persona shift in "Out Of Time." Her Anna Marie is the abused wife of Dean Cain ("The Adventures of Lois & Clark") who's also a member of the local law enforcement and a longtime rival of Matt, further tangling the connections.

The two men have a face off when the suspicious husband confronts the chief. Without admitting anything, Whitlock says to his face what he'd like to but can't, in a delicious verbal riposte that further cements "Out Of Time" as welcome adult fare.

But Chief Whitlock still likes the chocolatey and sexy Anna Marie, and who can blame him? The movie shows Lathan in way-thin wrap dresses and halter tops that shows many of her finer points as she switches around Matt's houseboat where they tryst, away from the eyes and wagging tongues of nosy townsfolk.

She lures the chief over her house with a report of a break in of her house late at night.

"He was standing in my bedroom" she tells him.

"Like this?"

"Yes, but closer"

"Then what did this intruder do?"

"He forced himself on me and then he tore off my blouse" Anna Marie says, with her throat muscles trembling as they make their way to the bed and continue their role playing.

This isn't as shocking as earlier audiences might have taken it in pre-Woman's Liberation days. I had a strange girlfriend who had me mindful of picking a hiding place near the head of the metal four-poster for a handcuff key when I woke up to a strange metallic click! one morning, and almost dislocated my shoulder when I sat up too quickly. It's always those nice, quiet ones. But I digress.

Lathan's not the usual skinny Hollywood type, thank the Gods! She has usually played the Sensible Good Girl in movies such as "The Best Man", "Love and Basketball" and "Brown Sugar," and a romantic cable movie or two with Wesley Snipes. Lathan actually looked better in her wrap skirt and bare midriff than Teresa Randle in "Bad Boys 2" and that's hard to do!

The lovely Eva Mendes was Denzel's BabyMomma in the brutal Training Day, for which Denzel won his first Best Actor Academy Award. Starring opposite nave LAPD Detective trainee Ethan Hawke, Washington was on the other side of the law while supposedly being a servant of it as a crooked officer, with Mendes as his housemate. As they count piles of money on their bed there's a shot of frontal nudity on the part of the sexy Latina. (I recommend using the jog-shuttle dial on a high end VCR to get the full effect).

Mendes, in a short time with four films in three years, has carved out a filmic career playing crime fighters and conflicted tough cookies, and along with Patricia Velasquez, that fine Puerta Riquena who plays the Pharoh's consort in "The Mummy" and "The Mummy Returns." They have all but kicked Jennifer Lopez all the way to the cinematic curb in the minds of moviegoers, and this was before she crashed and burned before "Gigli." We see now that there are lots more where she came from, and we're glad to see them.

Mendes even did comedy as the sweetheart of up and rising "Friday" film franchise co-star Michael Epps in "All About The Benjamins" a Miami-set comedy caper film with Ice Cube, who produced the film through his CubeVision enterprise.

Mendes was a law woman in this past summer's "2 Fast 2 Furious" as an undercover officer helping other deep cover operatives Paul Walker and Tyrese. In the current "Once Upon a Time in Mexico," the concluding Mexican trilogy by "Spy Kids" director Robert Rodriguez, Mendes is a DEA operative working with the CIA deep under the covers with rogue agent Johnny Depp.

Eva Mendes' Sexy Tough Cookie persona isn't likely to wear thin anytime soon. She comes across as a real person, and a developed character type that many women could identify with, qualities that come in handy when she is shown onscreen in "Out Of Time" as the estranged wife of Chief Matt.

Mendes is likeable, so the Sistaz don't hate her when her character Alex is divorcing the wayward Matt. But the film's adult subtlety comes through in many ways as we can see that these two don't need to be divorcing. They need to take a timeout, reassess and come back together fresh-like. But Alex ain't having it. When they're talking Matt tries to play off a phone call from the yearning and pouting Anna Marie like its a business call, but Alex is no fool.

"I've got to go, you're busy Tell her I said "Hi," she says over her shoulder to her soon to be ex-husband as she walks away, with a bit of disappointment in her attitude. "Out Of Time" has Woman Stuff in it, and this only helps the wide audience appeal.

"Mississippi Massala" featured Denzel in a truly cross cultural love story between his Gulf Coast carpet cleaner and the Indian daughter of one of his hotel owning clients. Unlike Wesley Snipes, who hasn't been featured with half as many non-Black women as Washington whose onscreen lovers are a mini United Nations of females, Denzel, like Samuel L. Jackson is given a pass. Perhaps its because they are longtime husbands of two Real Sistazs, while Snipes has been outspoken in interviews about how he was kicked to the curb by Black women while a struggling actor because of his dark skin colour and former lack of monetary resources.

Brothers are definitely feelin' the love from Latina women, and the getting together onscreen only mirrors what is happening in real life, as sistahs who are always complaining about we brothas kicked us to the curb where smart women ran over to retrieve us, neither believing their good luck and the narrow mindedness of what are supposed to be our natural mates.

Filmmaker/Actors Ice Cube and Spike Lee co-starred with Latina love interests in films such as "Next Friday" and "Do the Right Thing." Ice Cube in the latter film remarked "I'm doing my part to improve Black and Brown relations." NYC transit cops Jennifer Lopez and Wesley Snipes threw down in "Money Train," the repairing of Snipes and Woody Harrelson from their breakout buddy basketball flick "White Men Can't Jump."

Cristel Blake of Dallas, Chicago and Milwaukee is a TV, stage actress and singer who attended the preview screening of "Out Of Time" and we both found the caper film involving and thrilling. "I think I can figure out which way this is going," Cristel whispered, as we conspired to figure out the plot twists.

Even though there are only so many ways to portray double and triple crosses, director Franklin still has a few aces up his sleeves to play. You will be thrown by some of the ploys of the film, and even if you aren't the formula still is a good one. We both found the film involving, and I heard Cristel gasp more than once at the various twists, and as the going nuts Chief Whitlock feverishly tries to cover up his tracks as the evidence amounts.

Denzel's Chief of sleepy Banyan Key is the flava of the minute after his town was the scene of a drug bust of a kingpin where hundreds of thousands of dollars was seized, and still sits in his office vault.

His good pal and audience fave comic relief Jay the Medical Examiner played by John Billingsley jokingly suggests that they seize the money for themselves and make it down to Costa Rico and start a boat chartering business, ala ex-cons Tim Robbins and Morgan Freeman in "The Shawshank Redemption." Jay shows his friendship as Matt starts to trip over his quickly improvised alibis, where all the clues point to him when bodies start turning up and the Feds call, wanting their drug cash for the kingpin's upcoming trial way before it was expected. It all means that Chief Matt Whitlock is almost out of time.

Cinema Views' verdict is that "Out Of Time" is an eminently enjoyable film with a more than capable caper component with romantic ingredients. The movie is a hit on several levels, and you won't be out of your money or time if you invest them in this film that helps get the Autumn film season off to an auspicious start indeed. --kjw CAST OF "OUT OF TIME"

CHIEF MATT WHITLOCK -- DENZEL WASHINGTON ANNA MARIE -- SONAA LATHAN ALEX -- EVA MENDES CHRIS -- DEAN CAIN JOHN BILLINGSLEY -- JAY, BANYAN KEY M.E.

DIRECTOR: GARY FRANKLIN "One False Move", "One True Thing" with Meryl Streep and "Devil In A Blue Dress."

STUDIO: MGM

FILM RATING PG-13

VIDEO VIEWS PRESENTS A DENZEL FILM FEST:

There are lots of movies in Washington's repertoire, and he has crossed genres liberally from war films, crime capers, the supernatural and even science fiction. This isnt to speak of the foreign film's he's made, such as his British war film.

DENZEL AS DIRECTOR:

"ANTWONE FISHER" -- This autobiographical film by a script handed to him by a studio employee marked Denzel's first foray into directing. It was an auspicious start indeed. Although loved by the critics, to our disgrace it didn't garner lots of audience attendance although it has an uplifting family theme about an abused child who as an angry young seaman learns through psychological counseling to confront the demons of his past.

Washington plays the Navy counselor, who is going through problems of his own with his wife, played by Chicagoan Salli Richardson, the femme fatale of "Low Down Dirty Shame," and Mario Van Peebles "Posse."

DENZEL FILMS:

"CARBON COPY" -- Before he went to NBC's network TV, Washington co-starred in this movie opposite the fumbling Ryan O'Neal of TVs "Just Shoot Me'" and the comedy crime caper with Jane Fonda "Fun With Dick and Jane," where a California yuppie couple turns to crime to finance their lifestyle after O'Neal loses his job.

"Carbon Copy" was about a White businessman whose adult son from a long ago college dalliance with a Black woman shows up one day on his doorstep about twenty years later. The film muffed its chances to be of substance by pulling its punches, like the final chapter of "The Omen" film series which is exactly opposite what its strategy should have been. If you're going to offend people, then go for it and to hell with the tongue cluckers. That's what the Wayans Brothers did. This is not one that Denzel puts on his cinematic resume, unlike the following:

"COURAGE UNDER FIRE" among Denzel's notable group of war movies is a pairing of he and Meg Ryan where his character is investigating the mangled stories behind the posthumous award of the first Congressional Medal Of Honour winner from the first US-Iraq Persian Gulf War.

The two don't share any scenes together, as he tries to get behind the obscuring "Rashomon"-like conflicting stories to the truth. He is especially driven because his character was also the subject of a Gulf War I snafu that resulted in his self-destructive alcoholism and estrangement from is wife. A thoughtful film with action, always a good blend.

"CRIMSON TIDE" with Gene Hackman featured Washington in one of his many military roles. This time it's as a submarine commander who goes against Hackman's authoritarian captain when he questions vague orders that would have them launch nukes against the Soviet Union.

"DEVIL IN A BLUE DRESS" Adapted from the Easy Rawlins series by writer Mosely, about a transplanted southerner to Los Angeles it stars Denzel as the Private Eye hired by Tom Sizemore to find the title character played by Jennifer Beals.

Grand larceny is committed with the arrival of the deadly Mouse, played by Don Cheadle of Volcano" and "Bullworth." Stealing all the scenes he shares with Denzel isn't easy, and Cheadle injects the already good film with superior character qualities.

"FALLEN" is among my favourites of Washington's many films, and is quite different from any he's done for reasons you will discover. The supernatural suspense film is about a serial killer who is really an ancient demon plaguing Philadelphia. He is toying with Denzel's detective, who caught the rock song singing, Aramaic speaking killer along with partner John Goodman. Denzel never really had a chance against a Fallen Angel who was old before humanity was even young. Time wasn't on his side in this movie either, no it wasn't.

"GLORY," is Denzel Washington's first Oscar winning role as Best supporting Actor as a rebellious Civil War soldier. Matthew Broderick is the commander of the famous Massachusetts regiment that is part of Civil War lore that also starred Morgan Freeman. This film is available in a commemorative DVD with extra features.

"HEART CONDITION" -- Denzel co-starred with Bob Hoskins, fresh from "Who Framed Roger Rabbit", where he had to interact with Denzel's ghost who was linked to the bigoted cop whose transplanted heart they shared and which kept them within 20 feet or so. This comes in handy when they assault the Bad Guys' fortress, and Denzel's invisible invulnerable ghost is sent ahead on recon!

This was one of the better Ghost Genre stories that were a mini-genre back in the 1980s, started by "Beetlejuice" and ended with Whoopi Goldberg, Demi Moore and Patrick Swayze's "Ghost."

"HE GOT GAME" reteamed and redeemed Spike Lee's filmic vision using two of his most favourite topics: father-son bonding, maleness or "Man Stuff," and sports, and marks the last time he made films starring predominantly Black people. This was before he went onto films such as "Summer of Sam" and the most excellent "The 25th Hour," with one of my favourite actors Edward Norton who is going to take it all one day, mark my words.

"He Got Game" was about a father's estrangement from his son, played by former Milwaukee Bucks forward Ray Allen, and co-starred "Jungle Fever's" Lynette McGee. Their onscreen smooch as a young loving married couple while passing by at the dinner table as the children giggle was voted one of the Most Sensuous onscreen kisses for that year. The film's sports covering was about an imprisoned felon who was released so he could convince his sought-after son to attend a certain university, which is the setting for their longtime conflict.

"THE HURRICANE" It is believed that the furor over the facts if this fact-based story about imprisoned boxer Ruben Hurricane Carter was responsible for denying Washington the Best Actor award for that year. As he ages from a cocky young man to middle age, notice how his speech pattern changes, how he is less patient at times and more serene at others, as if he really did spend his youth behind bars. He was robbed!. Not to take anything away from "Training Day," his rare villain role. I can't mention the other without giving away the plot of another movie Denzel was in , which may or not be listed here.

"MALCOLM X" Denzel was in two notable Spike Lee Joints. One was the towering autobiography of Malcolm Little, formerly known as Detroit Red, then Harlem Red, and onetime Milwaukeean whose militant father preached in Brewtown and was ambushed and slain by White Supremacists after a trip here. Embracing Islam in prison for petty crimes Malcolm went on to become one of America's best orators, and organized the Fruit of Islam which exists to this day, patrolling housing projects and operating after school tutoring and food programs. Milwaukee was the site of Muhammed's Mosque No. 3.

Denzel, as he did in "The Hurricane" goes through various phases as effortlessly as if he was changing his socks, from street hood to religious initiate to organizer, father of daughters and holy man El Hadj Malik El Shabazz. Co stars include Angela Bassett as his wife, the late Betty Shabazz, and a role she reprised briefly in Mario Van Peebles' "Panther."

"MISSISSIPPI MASSALA" This cross cultural romance was a small film by a famed Indian female director about the hotel business owned by her people in the south, and a carpet cleaner played by Washington who gets into a relationship with the daughter of one of his clients. Denzel's acting skill is shown even in small films such as this. When he goes out to a nightspot, a brotha asks him informally what's hap'nin?

"We'll be doing deep shag next Spring" he replies, since rug cleaning is his world. His character sees no discontinuity there, and the line slides so easily out of Denzel Washington the Hollywood millionaire, but we only see him as the small time carpet cleaning entrepreneur of a southern state. Such is the skill of a master craftsman!

"PHILADELPHIA" -- Speaking of the city of brotherly love, this film was Denzel's pairing with Tom Hanks in that award winning follow up film by "Silence of The Lambs" director Jonathan Demme. Pained by allegations that his horrific film starring Anthony ("Red Dragon", "Hannibal") Hopkins had anti-homosexual messages, this film about an AIDS infected attorney who is defended by Denzel was meant to rectify that.

Washington's character like most normal people is not particularly enthused about being around homosexuals, more properly called by the historical name Sodomites. "Philadelphia" is about how the two men and attorneys, the formerly high flying Hanks and the ambulance chasing Washington come to see each other in a new light. Its a different kind of Buddy Film, but excellently made by director Demme and acted by these two masters of the game who both went on to direct their own critically regarded films while interchangeably acting.

"THE PREACHERS WIFE" Teamed Denzel with Whitney Houston in her third movie role after "The Bodyguard" and "Waiting To Exhale." In this remake of a 1940s film Denzel is an angel sent back to lead a disaffected inner city preacher back to his faith. While doing so the angel takes a liking to the preacher's wife who is about to stray from her faith in her husband.

The movie also co-stars the late Gregory Hines as an ambitious developer from off tha block, who along with the church board is selling out the struggling neighborhood to wealthy investors and moving the church and congregation to a "better environment" as some congregants move up in life and away from the old neighborhood.

"The Preacher's Wife" is an excellent family film, and should become a staple of holiday film fare as it deserves to be. Houston plays the choir leader, so they were able to put some of her singing into the movie, along with some gospel songs.

"SOLDIER'S STORY" Among Denzel's first notable film roles after taking a break for the stable economics of series TV in NBC's "St. Elsewhere" was as a WWII soldier in a segregated Army unit in the film adaptation of the stage play.

This ensemble film featured Adolphe Caesar of "The Colour Purple" (as Mister's father: "Furthermore, I hear she's got that nasty woman's disease. And all her kids got different daddies. She done set the population of Hopwell county at a new high") Caesar's role was the drill sergeant in the segregated unit who tried to whip Denzel and his green cohorts into shape to go over and fight Hitler.

"Soldier's story" hits on the subject of uneasy patriotism for a country that doesn't love us back, as the recruits prepare to face battle while in a segregated unit. "The Nazis call you Schwartzen!" the drill sarge taunts them. Denzel is a young cocky recruit that is more indicative of the "New Negros" that were evolving less than a hundred years after Emancipation.

"VARIATIONS ON THE MO BETTER BLUES" is the musical about a flawed musician played by Denzel and based partly on Spike Lee's own father, who scored most of his films until he was apparently angered by another film "Jungle Fever." Spike Lee's father married a White woman after his mother died.

That last bit of autobiography made its way into "Crooklyn" with Delroy Lindo as a small time musician married to Oklahoman Alfre Woodard, but with his sister's life, Joie Lee from "Do The Right Thing," as the focus through the eyes of the young girl. Joie also was one of Denzel's love interests in "Mo Better," sharing bed duty with Cynda Williams from "Out Of Time" director Carl Franklin's "One False Move."

"VIRTUOSITY" is Washington's lone big budget science fiction action film foray as a futuristic police officer who is also a convict, charged with capturing the computer generated supercriminal SID, created for criminal justice research with the personality ingrams of over a hundred serial and mass killers. In Virtual Reality simulations Denzel's imprisoned and disgraced LAPD officer has bested Sid, the only person to do so.

The computer generated being is played by Russell Crowe ("LA Confidential" and "Gladiator") who is programmed with the memories of dozens of mass murderers and terrorists who gets a pass into our world, and does what he does best -- killing and mayhem.

The plotline is like that of "He Got Game": Denzel's character gets a temporary pass to carry out a task, after which he might get tossed right back in by the authorities. But instead of an ankle bracelet Lo-Jack he has a deadly cartridge inserted into his head to make sure he comes back, ala Kurt Russell's Snake Pliscomb in the "Escape from New York." I just wish the film had made better use of Denzel's character's bionic arm.

One of "Virtuosity's" best lines from SID: "Just because I'm carrying within me the joy of killing your entire family doesn't mean we can't be friends." This film of theirs is the source of the good-natured Oscar competition race between the two actors that was mentioned by Denzel in his backstage award speech.

PROPHETIC FILM NOTE:

[ A plotline similar to "Virtuosity" was in "Demolition Man" that has a connection to today's headlines. Sylvester Stallone's John Spartan is a near future era Los Angeles police officer who was literally put on ice after being implicated in the death of dozens while trying to take down a villain played by Wesley Snipes. Both are incarcerated, but frozen in a cryogenic prison because society doesn't see the need to provide criminals with cable TV and such, or even food.

[ Generations later Spartan is thawed out to recapture the escaped Snipes, who awakens dozens of serial killers to help him create chaos on the soft and pampered wimps of the future. Spartan is told that the internment laws were changed by former California Governor Arnold Schwarzenegger, who went onto become President of the United States when the US Constitution was changed to allow the foreign born politician to ascend the oval office! ]

Washington has played lots of cop roles -- about as many as Ernie Hudson, which we remarked upon during our interview -- and about as many military men as "Armageddon's" Keith David, the sometime Milwaukeean who worked his way up from privates in "Platoon" and "The Thing" to a three star general in "Armageddon," that big budget Sci Fi disaster film that makes him one of the Brothas and Sistahs of Sci Fi that is being profiled on www.Blackwebportal.com.

The many celebrity interviews I've had such as those with "Kings Of Comedy" stars Steve Harvey and Cedric The Entertainer; Wesley Snipes; "Friday" stars Ice Cube and Michael Epps; sex-a-phonist Boney James; Milwaukee homeboy Al Jarreau; and actors Brad Pitt; Christopher McDonald; Nicholas Cage; Elizabeth Shue and Erika Alexander, the braided attorney in the fox sitcom "Livin' Single" will be grouped and presented in a separate folder.

For the time being, goto the sites and click on the interviews at

http://www.geocities.com/walkerworld_2000/cinemaviews/videoviews

http://www.geocities.com/cinemaviews/videoviews

https://cinemaviews.tripod.com/videoviews

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This is just a smattering of the many films Denzel Washington has made. Go to your local DVD or video rental store or satellite dish outlet for more. Or, I guess you could go to your cable supplier as well, but that's so 20th century. This doesn't necessarily mean that I consider Cable TV to be an anachronistic terrain-destroying customer insensitive technological backwater. Wherever would you get that idea?

OTHER GOOD CAPER AND NOIRE FILMS YOU MIGHT LIKE:

"CAUGHT UP" featured Cynda Williams of Gary Franklin's "One False Move" with Bokeem Woodbine in a tale of murder, misidentification and deceit as he takes up with a crooked employer and a mysterious beautiful woman who can read minds, but only those of men, one of whom is trying to hunt her down. Woodbine of "Dead Presidents" is only trying to live a normal life, but keeps getting caught up in other people's messes.

Jason Lee and Clifton Powell also of Dead Presidents" and Morris Chestnut's dad in "The Brothers" with Gabrielle Union co-star in this trademark by-the-book film noire film.

"DEAD PRESIDENTS" with Bokeem Woodbine, "Blade's" N'Bushe Wright, Larenz Tate, Keith David and Chris Tucker tried to do too much, and the heist part of the fact-based film is pushed into the background. The soundtrack was a big seller though, with good period music of the '70s.

Martin Sheen has a bit part in the star studded film about a group of Vietnam veterans who decide to rip off a bank depository where decrepit old money, or "dead presidents" in street slang is taken out of circulation to be burned, figuring it won't be missed.

"THE HEIST" with Gene Hackman and Delroy Lindo are among worthy members of the caper film genre as some old guys decide to make one last big score so they can retire to their houseboats in Florida , or the wilderness cabin, or one guy who dotes on his little niece.

"HOUSE OF GAMES" is David Mamet film about two of his favourite subjects: Man Stuff and those who live on the edges of society. Much like his "American Buffalo" there is a group of men who live off others, off the clock, and off the beaten path. A timid upper class Rich Bitch is taken for her loot by a band of schemers led by Chazz Palmenteri, ( a film Tough Guy who hides his credentials as a playwright and man of letters in favour of playing gangstas and goodfellas) in an elaborate double-back plot that will remind some of "The Sting." But this is the era of the woman, so keep this in mind.

"THE ITALIAN JOB" is back in theatres again, to pump up the gate for the DVD and Video release. Its thrilling enough, although it shouldn't be held against the film that the marketers spoiled the film for many by making the trailer Readers Digest chronological, and so it gave away the best scenes in order like a visual Cliff Notes, making the movie anticlimactic for me. I hate it when the best parts are put in the trailer like that. Not all of us saw the 1960s original with Michael Caine and the car chase through the streets in the original Mini Cooper automobiles.

This one stars Marky Mark Wahlberg, Mos Def from "Monster's Ball" as the demolitions expert ("If this touches the inside of the brass socket, you and I will be the last people we'll ever see"), the African American --sorta -- blonde Charlize Theron, and master thief Donald Sutherland. Don't watch the trailer for it that comes on other videos or it will spoil it for you. You've been warned!

"ONE FALSE MOVE" by "Out Of Time" director Carl Franklin isn't a heist film per se, but its close enough for our purposes. A group of cutthroat heisters knock over a drug house in Los Angeles that goes down badly, and decide to head to Star City in Arkansas to let the heat back there settle down. They bump heads with the local lawman played by small time but intuitive Bill Paxton, then fresh from "Aliens 2" and "Predator 2." Cynda Williams ("Caught Up") is his past love interest and that complicates matters.

Michael Beach from "Waiting To Exhale" and "Soul Food" is a pure sociopath, and likes his killing up close and personal. Beach wears suits now in his films but this was before, showing his versatility. I cringe even now when I see him, remembering how he sat around watching TV and looking bored while waiting for his bound and gagged victims to die in the LA house party, painfully writhing and suffocating from the clear plastic bags he put over their heads.

"PALMETTO" with Woody Harrelson and Elizebeth Shue visited much the same territory in subject matter and geography as "Out Of Time." Harrelson is a crusading reporter who gets caught up in some triple crossing action in the Florida panhandle. His brother in law in the film is a Black lawman who tries to cut his screwup some slack with work opportunities and such.

"THE SCORE" with Ed Norton and Robert DeNiro was a good intergenerational heist film pitting an old hand and a young upstart. One of the best lines: "Just when did you get smarter than me? Huh? Tell me just when did that happen?," DeNiro's leader asks the upstart Norton, who thinks he should be the leader of their museum heist for fixer Martin Brando in a rare latter film role.

Angela Bassett co-stars as DeNiro's love interest in "The Score," but her screen time is limited to being The Girlfriend. DeNiro has long let it be known that he likes that dark chocolate, but we don't hate him. He proved he was an actor when he portrayed a bigoted father in his TriBeCa production of a semi-autobiographical story with Chazz Palmienteri when his teenage son started dating a Black girl, and the father gave him hell. Now that's acting, culled from his own life experiences.

"SET IT OFF" Director F. Gary Gray's film about a band of lady bank robbers is packed with action and involving human stories. Starring Vivica Fox of "Kill Bill," Jada Pinkett Smith, and it earned an Academy Award Nomination for Dana Owens, I mean Queen Latifah of "Chicago," with Dr. Dre in a small role as their gun supplier.

The office cleaners turn to bank robbing in Los Angeles after their homegirl gets fired from her bank job and she teaches them everything they need to know about efficiently relieving banks of their cash. This movie has it all, and it was a better film in that regard than most heist films with male casts, such as the misfire that is "Dead Presidents."

"THE SPANISH PRISONER" is an involving heist film about a software developer with a valuable process that many would just as soon steal before it hits the market. The heisters throw all manners of ploys at him, several psychological, including the Tender Trap. The movie features stars such as Steve Martin and Ed O'Neil of "Married With Children" in serious roles who are better known for their comedy. Rent this one on my hearty recommendation.

OLD SCHOOL HEIST FILMS:

"TOPKAPI," is a 1960s film that was made before they let the criminals get away with at least some of the loot is one of the oldest and greatest heist films. I like the film because it was entirely foreign made and based in Greece (although in English), about a museum robbery based on a true story that had mostly ordinary people under a criminal mastermind perform the unconventional heist in a building with all kinds of anti-theft backups. Rent it to see one of the best of the Old School heist films. Among those are ones such as:

"THE STING" period film with Robert Redford, Paul Newman and Robert Shaw of "Jaws" that co-stars James Earl Jones' brother about some Depression era grifters who conspire to take down a brutal crime lord.

"THUNDERBOLT AND LIGHTFOOT" in the early 1970s paired Clint Eastwood and Jeff Bridges in the break-in of a bank vault in the American west, aided by George Kennedy of the "Airplane" disaster movies and its sequels.

"THE LAVENDER HILL MOB" Alec Guinness' before he became known as Obi-Wan Kenobi was a heister in this British film, when a bank's insurance company is taken to the cleaners by an urbane collection of schemers.

"THE GREAT TRAIN ROBBERY" was taken from the real life top money taken crime in real dollars, or in this case British pounds, was made into a feature film a couple of times, with the latest big budget treatment made in the 1970s.

UPCOMING HEIST FILMS:

In the everything Old Is New Again world of Hollywood I understand there's even a remake of "The Anderson Tapes," the original starred Sean Connery in the heist of a high rise luxury apartment building. This follows in the tradition of the remake of "THE THOMAS CROWN AFFAIR" with 007 star Pierce Brosnan as a wealthy but bored playboy who steals for the thrill of outsmarting the law. kjw

Agree to disagree? Click on at the cinemaviews.tripod.com site, or email  HYPERLINK "mailto:thewordnetpaper@excite.com" thewordnetpaper@excite.com ; write p.o. box 1324-53201, or call (414) 454-9673 --kjw

This film and many other recent releases can be seen with newly installed DTS digital sound at the Northtown Cinemas, 2 blocks north of 76th and Good Hope road in Milwaukee, Wisconsin.

--30--

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TALES OF THE TRAVEL GRIOT: http://travelgriot.tripod.com  HYPERLINK "http://www.geocities.com/walkerworld_2000/beenthere" http://www.geocities.com/walkerworld_2000/beenthere COMMUNITY PHOTOS:  HYPERLINK "http://community/webshots.com/user/kevinjwalker1 ------

Kevin J. Walker, Netitor,

THE WORD NetPaper Online News Service

 HYPERLINK "http://www.geocities.com/walkerworld_2000/politics" http://www.geocities.com/walkerworld_2000/politics

(414) 454-9673

P.O. Box 1324-53201

Milwaukee, WI USA 53201

MOTTO:

"In this society you must have either Money or Power. If you have either you are respected, if you have both you are feared, but if you have neither then you are oppressed."--Wm. Gray Dir. UNCF, while former US Congressman of Phila.

--30

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